RFI-EMI-GUY
Member
- Joined
- Dec 22, 2013
- Messages
- 6,877
The problem with vocoding is that the transmit audio levels presented to the vocoder are often arbitrary.
In analog FM it was understood, and well documented how to set levels into an FM exciter for maximum dynamic range and linearity. Any reasonably competent tech knew how to do this with a systems analyzer.
Conversely, while the designers of P25 and DMR equipment added various gain adjustments, compressors, widgets, and AGC, but provide no method of measuring the results. You could listen with a companion digital radio, but the problem is that the audio is encoded and decoded in such a way that the dynamic range is limited. With good pro audio equipment, the ADC often provides a front panel indication of when the ADC runs out of "bits" aka " Max Headroom".
The P25 systems I have listened to have audio variations from one end to the other, very low audio, to blasting muffled audio, from consoles and sometimes, rarely, a clean natural transmission that sounds like FM analog.
In analog FM it was understood, and well documented how to set levels into an FM exciter for maximum dynamic range and linearity. Any reasonably competent tech knew how to do this with a systems analyzer.
Conversely, while the designers of P25 and DMR equipment added various gain adjustments, compressors, widgets, and AGC, but provide no method of measuring the results. You could listen with a companion digital radio, but the problem is that the audio is encoded and decoded in such a way that the dynamic range is limited. With good pro audio equipment, the ADC often provides a front panel indication of when the ADC runs out of "bits" aka " Max Headroom".
The P25 systems I have listened to have audio variations from one end to the other, very low audio, to blasting muffled audio, from consoles and sometimes, rarely, a clean natural transmission that sounds like FM analog.