karldotcom
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Nearly all computer use in movies and television are just screens that have been created/programmed to show the intended results when an actor presses a key or two...
What neighborhood was that? I remember reading that they filmed in areas north of Universal Studios back then. Toluca Lake, etc (?)
If you watch all of the seasons you can see the progression from the studio back lots to various areas in and out of the city.
Someone stated that the street addresses that they dispatched were real streets but they didn't intersect. Watching a few episodes and looking up the locations, actually revealed real locations in the city.
(First of all, remember we're talking about LAPD's VHF-era, pre-1981, and they weren't using repeaters.)If I'm reading correctly someone said that only the supervisor vehicles had a radio dedicated to receiving the division mobile frequency. Some had more than one division on the same mobile frequency such as West L.A. (#8) and Venice (#14 now called "Pacific ").
Exactly right. Again, there were more divisions than available dispatch downlink frequencies, so there were multiple divisions - and RTOs ("RadioTelephone Operators" = dispatchers) sharing each downlink frequency. With two exceptions I won't get into, they only had 5 dispatch frequencies at the high point, so as many as 5 dispatchers - talking to their 5 to 8 divisions - could all be sharing a single downlink frequency. There was some sort of interlocking device that allowed only one RTO to transmit at a time on each downlink freq.I lived in the Venice Division near LAX. I remember sometime in the mid 60's being at the scene of something where people were out on the street watching some type of police activity. My dad and I became interested in the radio traffic we were hearing out of one of the cars. I remember seeing two control heads on the dashboard. I remember hearing both sides of the conversation as being up on the on the bluff where Westchester is located has some great reception of the western L.A. Basin/Santa Monica area. We could hear a lot of activity on the mobile side as a result. It was a bit confusing to hear the dispatchers (RTO if memory services me) talking with a car in another division other than West L.A. and Venice simultaneously with a car in those divisions speaking with a RTO. I think there were only 5 dispatch frequencies and many more mobile frequencies. Each RTO had to wait for the dispatch frequency to clear to answer a unit that had called in on a mobile frequency if things were busy.
Anyhow, I listening to the mobile side of the conversations in those division that night because it confused my dad and I. I remember my dad asking an officer what the second control head was and the reply was they could hear the other cars calling the dispatcher. This was an adam unit as two officers returned to the sedan and a single officer got in a station wagon and left about the same time. I remember having two green lights on each control head at the same time and sometimes one at a time while standing at the open front passenger window of the adam unit.
One other question I would like to ask about that era. When I purchased my first real scanner, a crystal Regency, in 1970 I could hear the SF Valley. Sometimes I would hear a RTO from the valley speaking when a L.A. Basin would transmit right over the top of them. I asked a ham radio friend of mine if the southern divisions would hear the valley units like I did and he said no. I don't recall what his answer was. I don't think CTCSS was in use then otherwise this would be the logical answer. Does anyone know how the two areas operated on the same frequency without each hearing each other?
Watched a re run today, correct me if mistaken, looked like the car radio had six frequencies in it.
Correct??? What was the maximum number of frequencies that could be added to those car radios??
Many Thanks
FDNY still uses the telephone handset.Remember watching the 1960's TV series "NYPD" ( great cast and gritty show) and their car radios had a telephone style head set used as a microphone and speaker ...was this just a gimmick for detectives/ supervisors only??
Saw some of these auctioned by the Yonkers, NY, PD in the very late 1970's along with the standard Motorola radio heads.
Also saw one in the "French Connection" car chase, Black uniformed NYPD cop calls in via above type head set to set up the road block at the George Washington bridge...now that the toll is an obscene $12.00, I feel like driving through it too!! LOL
I remember watching Adam-12 when I was a kid and remembering KMA367 on the radio. I always wondered when Malloy called for a "radio car" what was that exactly? I watched Emergency! a lot more and remember watching Cap talk on his Handi-Talkie and collapsing the antenna down when he was done xmitting and wondering how he would receive any comms with said collapsed antenna.
Thanks for the explanation of radio car. I could never find it anywhere. I know Jack Webb strived for authenticity. I am lineman and always shudder when seeing Chet or Marco cutting downed sparking power lines with a pair of loppers, from the ground, with no rubber gloves but I guess that adds to the drama. Still like both shows anyway.An LAPD "radio car" is just a regular black and white patrol car. "A" cars (as in 1Adam12) were two man cars, "L" (Lincoln) cars were single man units, as in 1Lincoln10 who was a sergeant. The leading number was the station/division (in this case Central Division), the ending number was the unit or beat designation. LAPD also uses "non-geographic" identifiers for citywide special units.
On Emergency, Cap was a dysfunctional radio user.In the station scenes, he tended to talk into the back side of the hand mic. In reality, extending the HT antenna on xmit gave the antenna better efficiency. The radio would still receive with the antenna collapsed, but not as well--didn't really matter in a strong signal area, but would make a difference in the fringes.
Both Adam 12 and Emergency (as well as Dragnet) were Jack Webb productions. Webb was a stickler for authenticity and I'm a bit surprised that Captain Stanley's radio backwardness wasn't caught and corrected.
I know Jack Webb strived for authenticity. I am lineman and always shudder when seeing Chet or Marco cutting downed sparking power lines with a pair of loppers, from the ground, with no rubber gloves but I guess that adds to the drama. Still like both shows anyway.
The radio in the back of that Sattelite wagon is a Mocom 70 (looks like a 110 watt unit), with a max channel capacity of 8 frequencies unless it had another extension board on the back of it.